Showing posts with label armstrong. Show all posts
Showing posts with label armstrong. Show all posts

My Dad – In His Own Words

I love where my mother came from, Castleconnor in Enniscrone.

I go up there very often, to the house that they were all born in. Their house was in Castletown in Castleconnor but the house was deserted for years and then a man bought the farm – it was a very small farm. The man who bought it has re-roofed it and he holds hay in it.

I go into the house – the keys are hanging around it and I would get the keys and go in – illegally, you know – because he didn’t know for a long time – but when I used to go in and remember how it used to be and the old fireplace – part of it is still there and the wall over it is white and I put my name on it in Irish.

And I was down the town of Sligo one day and I had to go to the Barracks to get some form signed and the girl in the Barracks got the form and she signed it for me and everything and she said, “You’re Eddie Armstrong,” and I said, “That’s right,” and she says there’s somebody looking for you here and she said hold on and this guard came out. He was in plain clothes and he said, “Oh, I was looking for you. You be up in Castleconnor,” and I said I do and he said, “Well, I’ll tell you what we’ll do now – wait for me outside the door and we’ll talk about it.”

I thought I was in trouble – didn’t know what was wrong. So I went out and I couldn’t think of his name but he says, “I’m the man who owns the house where you go in and write your name on the wall!”

He says I understand Irish and I made enquiries about your name from the traffic warden who comes from up there and he told me your life story and he says you were the rent collector for the Corporation. So he says, “You’re quite welcome to go into the house any time you’re up there.”

I often go up there and go into it then into Enniscrone. I have relations there.


(My father’s story and photograph formed part of a great exhibition called ‘From The Feet Up’ in the Hawk’s Well Theatre in Sligo. The stories were collected by Maura Gilligan and each story-teller was photographed by James Fraher.

Thanks to them for allowing me to reproduce my father’s contribution here.)



A Short Story - Rasp

We queued in the rain.

It wasn't a terribly long queue and the rain wasn't particularly heavy but Shiv was not a happy person. I tilted the umbrella further out over her head, getting myself thoroughly drizzled-on in the process. She did not seem appreciative.

"Why can't we go and see something new? There's that one with 'what's-his-name' in it, you know who I mean."

I knew exactly who she meant. 'What's-his-name' was reason enough not to go see it.

I didn't say that though.

"We can go next week. Give this a chance, you'll love it, I promise."

We progressed two steps in silence.

"It's not as if I've never seen it. I have, you know...twice!"

"Yeah but only on television. It's not the same."

Shiv made a face. "Oh please!" she said, "It's not as if it's 'Citizen Kane'. "

Then she laughed.

I laughed too. We both felt the same about the great 'Citizen Kane. We reckoned it was the most chronically overrated film of all time. Perhaps we should have gone to see it in the cinema.

The queue started to shuffle along with a purpose so I took the umbrella down and shook it.

"What the hell do you think you're doing?"

"We'll be inside in a minute."

"Then put the goddamned umbrella down in a minute!"

God, I loved that girl.

The ticket lady was enclosed in a chin-high perspex booth. Permed, fluffy and wearing horn rimmed glasses, she looked like an escapee from a Larson cartoon - everything but the chickens.

I paused respectfully in front of her. She sat rigid, staring blankly ahead. Shiv had wandered off somewhere so we were practically alone. She studied a point beyond my left ear, a dying breed, masticating gently. I wanted to say something to her, just so she'd acknowledge me, but nothing appropriate came to mind. I paid up the admission fee and two pink bus tickets clunked out of the shiny metal plate on the counter between us.

"Thanks." I volunteered.

She chewed at me - once.

I found Shiv over at the wall where the poster hung. She was staring at the credits.

"You didn't tell me John Barry did the music."

"You're right. Sorry love. I know we shouldn't keep such things from each other"

"Be serious! I hate John Barry. You'd never have got me here if I'd known it was him."

I nervously adjusted my jacket. I believed John Barry to be the greatest Cinema composer since Rachmaninov. I even had the soundtrack album at home, it had cost me thirty-five quid. Was this a stand worth making?

"You're probably right," I said, deciding not, "I can't hardly remember the music."

Shiv started jumping and pointing at me.

"Liar! Liar! You love it, you've even got the record, I've seen it under your bed along with all those soggy Penthouses."

"Hey, you know I only read those for the articles."

"Sure!"

"Anyway, they never look as good naked as you."

Shiv looked round anxiously.

"For Christ's sake Minty!"

"Well, it's true."

"You wish."

"Have an Opal Fruit."

It was time to go in. We headed for the double doors, held open by the stubble-chinned relic in the decaying blue tunic. I handed him our tickets and he ripped them effortlessly in two.

"See that?" I asked Shiv.

"What?"

"He ripped our tickets in half. Look."

"Wow, is there someone we should call?"

"Don't be sarcastic, there's a whole generation of kids coming up who've never had their ticket torn at the movies."

"Have you lost it completely, Minty? Everybody tears tickets."

"Rip, they rip. Hardly anyone tears. The secret is in the perforations.

It's all perforations now. All you get are those awful printout jobs with hot dog offers on the back and perforations to rip along - I hate them!

"Shiv, what you are about to experience here is Cinema as it used to be. No gimmicks, no tricks, just raw nostalgia."

"Raw what?"

"You'll see."

"Just keep taking the pills, that's all."

And then we were in. The place was about quarter-full, people scattered around here and there. It was old fashioned, of course, that was part of the attraction. Dominant colour red, not particularly ornate, plush in a dusty sort of a way and big...very big.

"God it's big, isn't it?" Shiv was impressed. She and I were frequently impressed by similar things. "Which are our seats?"

"Anywhere you like. First come, first served."

"Are you sure? Didn't the computer allocate us seats?"

"The 'computer' was too busy filing her nails. It's much better this way."

"Oh come on! It's a great little movie-house, sure, but let's not stretch this 'weren't the old ways wonderful' routine too far. Computerised seat allocation is a great idea and you know it."

I arched an eyebrow at her. "Do I?"

"Okay, you smug git, tell me it isn't!"

"All right it isn't. Not always."

"Yeah? When is it not? Give me one 'for instance'."

I need to explain that the show hadn't yet begun. The house lights were still up and people were chatting away among themselves. Also we were speaking quietly so our mid-aisle exchange was neither exhibitionist nor a nuisance to anybody. I feel I should make that clear in the light of what was to follow.

"In the afternoons."

"What?"

I had her here, I knew it.

"Automatic ticket allocation can be an embarrassment in the afternoons."

"He's bluffing."

"I am not! Listen, the computers always allocate seats on a 'best seat first' basis, right? The best two seats are always in the same place, near the back, in the centre, beside each other..."

"Let's sit here," Shiv marched into a row, chose a seat five in from the aisle and collapsed into it, "Now, what are you going on about?"

"Most afternoon shows only ever get a small attendance. Okay, suppose two separate people, a guy and a girl, decide to go to the same movie one afternoon. The movie is a bit well...sexy, and they're the only two people who go."

"Don't you think this is a touch contrived?"

"Let me finish. Those two people, who have never met, will be allocated seats right next to each other. They'll have to sit, shoulder to shoulder, through some of the most graphic sex scenes ever committed to celluloid, with hundreds of empty seats all around them. Nervous, anxious and seriously embarrassed those poor people will emerge cursing the computer that seated them. And that, m'lud, is where the system falls down."

Shiv mused on it a moment.

"I think it sounds great. I bet the two would get off with each other, and live happily ever after. Pretty imaginative though, Minty, well done."

"Thanks."

"Did you just make it up?"

"Of course... sure."

She caught my tone.

"You didn't?

I must have shifted in my seat.

"You didn't! You sod! That actually happened to you, didn't it? What happened? What was the movie? Did you get lucky?"

"No!"

"Truth."

"Don't be silly."

At that moment the house lights dimmed and I clammed up, saved by the bell. Neither of us believed in talking while the show was running. We both got too wound up when other people did it.

An usher crept in and sat on a little pull-down perch at the side of the stairs below us. Not the slob who had torn our tickets - this was an altogether smarter-looking guy. I watched as he made himself as comfortable as possible and then gave himself to the screen, obviously a fan. I followed his example and settled into the show.

The curtains opened.

No trailers, no adverts and no charity-collecting-do-good bastards rattling their tuppence boxes along the rows. This was Cinema, folks, as it used to be.

The Film began.

The titles gave us our first taste of the smoky, elusive score that I loved so well - no matter what Shiv thought. Piano first, then tenor sax, lazy, slow and seductive but always, not far behind, that insistent, nervy back beat warning us, telling us to watch out - there is more going on here than meets the eye.

"John Barry," whispered Shiv, "I hate him!"

Scene one:

"My god, it's hot!" breathes the lady on the screen as the sax fades into the wail of distant sirens, " 'Stepped out of the shower and started sweating again."

The man she is talking to turns from the window to grin at her distractedly as she climbs into her nurses uniform. He is Racine, the lawyer. The nurse is not relevant, we won't see her again.

The film seemed different from the last time I had seen it eleven years before. I suddenly realised what it was. Back then, Racine had been anonymous but nonetheless instantly recognisable as a dubious character. Since then, though, he had become infinitely more well-known. Now he was William Hurt - Movie star - and as such towed with him the baggage of the many memorable roles he had since played. A person seeing the film for the first time would now take a while to figure out the nature of Hurt's character.

I didn't let this worry me overly. The mood was as I remembered, the atmosphere still intact. The movie was going to be just as good this time around as...

Latecomers.

A guy, well built, wearing a black leather jacket, a gangly blonde girl in tow. They fell up the stairs fooling with each other and giggling selfishly. The usher jumped from his perch to quieten them.

"Tennn-shun!" the big guy bawled, at the top of his voice, and then, "Jesus Corr-aye-est, is it dark in here or is it me?"

A palpable swell of hostility coursed instantly through the entire auditorium. These were good people, all they wanted was to enjoy this fine film in peace. They did not deserve this West End Saturday Night trash.

"Two of your best seats for my lady and I, scout," the noisy one boomed, "And be quick about it!"

The usher tried his best. "The feature has already started," he hinted coolly but the guy was ready for him.

"Good job too! Less of this shit for me to sit through," he marched past the usher, "C'mon, babe, let's sit up here."

Four seats in from the aisle was where we had sat. Why did we do it? We could have just taken the aisle seats like normal people. The quest for the perfect stereo position perhaps. Didn't matter now, the mouthpiece and his girl had collapsed into the two seats right next to us, her closest to me. Ignore them, I advised myself, give your attention back to the film, they'll probably shut up once they settle.

On screen, Racine and Mattie were about to meet for the first time. The fire was beginning to burn. The band played 'I saw you last night and got that old feeling' while Hurt pursued Kathleen Turner through the summer heat. I relaxed again, forgetting the interruption.

"Hey," brayed the big guy, "What's this crap all about anyway?"

Somebody behind 'ssshh'ed angrily but it only served as encouragement to him. He twisted full round in his seat and stared out into the gloom behind.

"Shush me one more time, scout. I'll come back there and shush you."

Then he turned jubilant back to the girl beside him, punched her shoulder and said, "Where's my sweeties?"

Sweeties?

No!

Anything but sweeties, please.

The blonde rummaged in her coat pocket and fished out a virgin bag of gold wrapped chewy caramels. The brute ripped them out of her grip...

"Yes, sweeties!"

...and proceeded to tear the plastic limb from limb. The bag was gunfire in the still of the auditorium, it went...

Rasp.

For many people it is a certain smell which trigger vivid memories; flowers, bus stations, drains.

For me it is a sound.

That sound.

Rasp.

"Are you all right?" whispered Shiv anxiously.

Fine. Except for that sound, dragging me back.

Rasp.

"Hey!"

Rasp.

"I said are you okay?"

Shiv was now also torn out of the movie and was worried about me. She knew how I got.

"I just wish he'd...stop. Y'know?"

"I know. Just try to watch the movie, it's good."

I tried to watch the movie - I really did - but that bag went...

Rasp.

...and back I went...

It was a joke, a kids joke. We were walking back to school one day and we had our rolls of mint imperials in our hand, chewing away. Remember the packets? Ten white ovals laid end to end, wrapped in a square of transparent cellophane then all rolled up with a couple of twists in both ends.

Coogan finished his first and rasped the paper into a ball in his hand. I told him to stop, that I hated that noise. I didn't really, it was just something to say, but the guys latched onto it.

They started to call me Minty. They rasped paper at me all the time. Everywhere I went - rasp, rasp, rasp - and it wasn't the noise that got me, not really. It was the knowing that, even though I'd said how much I hated it, they still kept on doing it just the same. It got to a stage that every time I heard that noise I got really upset.

It became something of a problem for me.

Mop does it one day and I lose it completely. We'd been playing marbles in the gutter on the back street and Mops opaque had rolled down into the gully. We manage to get the cover up - it is cast iron and very heavy - and mops kneels and reaches in to feel around in the muck at the bottom for his prize. I wander off to look for pennies but he calls me over.

"Hey Minty, c'mere and see!"

I go over and kneel down and he pulls his arms out and he's got a filthy mint imperial wrapper in his hand. He rasps the damned stuff at me, right under my nose, then he laughs and shoves his arms back down the hole. "Poor mad Minty," he says.

Then I just get all upset and kick the gully lid over on his arms. It crunches down on him just above the elbows. It doesn't chop them off or anything but it's still pretty bad, there's a lot of gore and stuff and Mops is howling....

I snapped back. From the corner of my eye I saw the blonde staring at me, annoyed, and I realised that I have been cracking my knuckles slowly one by one. I can crack them really well, twenty-two different ways. Shiv reckons I'll have Arthritis by the time I'm forty. It really winds her up.

Anyway, this blonde was staring at me angrily and her dumb boyfriend was still off in his own world rasping away beside her so I couldn't resist the dig.

"I'm sorry," I said, turning and smiling my most winning smile at her, "I do hope I'm not bugging you."

I could see that she didn't really know what to do. Her eyes darted away from me to the screen for a moment but then back again. I cracked another knuckle at her for punctuation. She winced.

"I'm sorry," she whispered, hardly a breath really, "he wanted to go and see Tom Cruise."

"So did she," I said, nodding over at wonderful unaware Shiv, "but she's still behaving herself."

Then, from nowhere, he was over in my face. He had leant across the blonde using her arm as painful purchase to drag himself closer to me.

"What's this then, sodding 'Blind date' or something?"

He was too close, I could smell the caramels on his breath, probably wedged somewhere between his teeth.

Shiv snapped suddenly around to face him.

"Why don't you shut up, you ignorant shit-head?" she hissed. Shiv really doesn't like being disturbed in the cinema.

He stared at her just for a moment then threw himself to his feet in a manner that might have been funny in different circumstances.

"Right!"

He pushed roughly past his girlfriend towards Shivs' seat.

"Shit-head, am I?"

"Sit down," somebody behind said.

"I'll sit in a minute, scout," he replied, almost reasonably, "Just let me straighten something out with this bitch here."

To get to my Shiv, he had to first get through me. I stood up to face him, my seat popping upright as I left it. Somebody behind swore softly, I sympathised - it really was a very good part of the film.

"You first, eh?" The guy looked pleased to see me," Good. I'll save her for dessert."

He probably would have too. He was a foot above me and a damn sight heavier. I calculated the odds, realised it was a certain loss, then reached in and drew out my gun.

"Minty!" Shiv shouted.

The entire cinema gasped. Some girl behind started to scream. It was just like being back at that gully.

I extended the gun, raised it above the morons head and slowly brought it down level with the bridge of his nose. His mouth fell open and chewy caramel-coloured drool ran out of the corner of it. I could tell he was impressed.

"Step back and sit down," I advised. He did.

"Pull in your legs" I requested the blonde. She did.

"Minty, you swore..."

"Shut up a minute, Shiv." I said. She didn't.

"You're a real Wally sometimes, you know that?"

"I know."

I advanced on my quivering thug, past the blondes' tucked-in legs. I inserted the barrel of the gun into his left nostril and pressed hard. I was all upset again.

"You wanted to straighten something out with us? Is that what you wanted to do?

"Look..."

"SHUT UP!! Just...shut up"

I forced the barrel of the Walther a little further up his nose.

The James Bond gun,' Shiv had called it when she gave it to me two birthdays ago. Not quite. The Walther PPK, 7.6mm was a cool piece but If she'd wanted to buy me the 'James Bond gun' then she should have opted for the Beretta .25mm. Bond only gave his Beretta up because M forced him to in 'Dr. No'. Still at least she got the holster right - Berns Martin triple-draw - worn tight under the left shoulder.

I'd promised I'd never carry it outdoors because that was totally illegal and normally I didn't but today we were going to see my all time favourite film. I wanted to see what it would feel like to see it tooled up.

Actually, it felt all right.

"Hey," the big guy sounded a bit bunged up.

I blinked. I had tuned out for a second, it was true, but I was back now, loud and proud. Things had changed. The house lights were up, for a start, and somebody had stopped the film. I took a look around, everybody was watching me, waiting to see which way I would jump. The usher from the pull-down seat was out in the aisle just beyond the Jerk. The room was poised.

Then somebody down the front spoke up, an American I think.

"It's a fake."

A murmur raced around.

"It's a fake gun, for Christ's sake. Who's going to pack something like that in London?"

He was right, of course, my gun was a replica, it fired only blanks. Below me, the idiot slowly realised that this had to be true. A smile spread slowly across his big mouth.

"Put your toy away now scout," he said, "It's time to learn some manners."

Normally that would have been it. My bluff had been called, it was time to pay the price. That's how it had been when I kicked the gully cover down on Mops arms. I had triumphed in my rage but only for the briefest of moments. Many bad things were to follow close behind.

The guy's hand rose up to brush my gun aside and, normally, I would have been powerless to stop him.

Normally.

Not this time.

This time there was an awful lot of anger still inside me. This PIG had ruined my favourite movie for me forever and then, THEN had moved to hurt my Shiv, My dear precious Shiv, and I knew, if he got past me now, he would surely go on to Shiv and hurt her and hurt her and hurt her and hurt...

"LEAN BACK, YOU SON-OF-A-WHORE!!"

He leaned back...and stared.

"THE GUN IS A FAKE, SURE IT IS," I roared, pumped with adrenaline, "IT SHOOTS BLANKS."

The blonde was staring, the usher too. Everybody was staring.

I made a little speech.

"Anybody know what a 'blank' is? Anybody? I'll tell you shall I? It's really just a little bit of paper rolled up really tight. Wouldn't hurt a fly. Right?... Right?... WRONG! Ever hear of Jimmy Ruane? No? Jimmy 'Sax' Ruane put a gun to his head during a game of Russian Roulette in Salt Lake City back in 1988 and fired a blank round at his temple. That piece of paper went in one side of his skull and out the other and took half his BRAINS with it. Believe me? No? Shall I prove it to you?"

I dug the gun back up his nose and squeezed at the trigger.

"SHALL I?"

"NO!"

The big guys' eyes were bursting out of his sockets and his jaw seemed to be locked ajar.

"Get off me!"

I eased the gun back to let him move.

"Get out of here," I whispered, "Get out of my sight."

Drool, once more flowing freely.

"NOW!"

He jumped up and fell out into the aisle. The blonde got up too. She muttered an 'excuse me' as she squeezed past, her hip brushing me. For a second, I thought she was going to stoop and get the bag of sweets.

She didn't.

When the big guy had got some distance between himself and my piece of paper he turned around and made like he was going to come back. The audience started up a slow handclap and a low sinister hiss. He cut his losses, spun and stomped down the stairs.

From outside, he screamed.

"I'm going straight to a phone and calling the police. You'll suffer for this, matey, you'll pay."

Then he left.

I got the gun back into my Berns Martin triple-draw holster only with a lot of difficulty. My hands had started to shake really badly.

I looked at the scatter of faces, all gaping at me, then I looked over at Shiv. She just stood there shaking her head and crying. I straightened my jacket and headed out into the aisle. Once there, I looked back. She was sitting down again.

"You coming?"

"No."

"I did it for you, you know"

"Go home, Minty. Just go home."

I left without her.

On the stairs, I met the usher from inside. He was hanging around nervously. He looked as if he had something to say.

"What?" I asked.

He grinned.

"It is hot," he said.

I had to smile back.

"Yes," I agreed, “it is.”


© Ken Armstrong

Night of the Frogs

I was driving from Limerick to Sligo with a police sergeant one foul winter’s night and I was as guilty as sin.

I wasn’t a bank robber or even a drinker in those days. I was twenty-one and amazingly well-behaved for my age.

This guilt I felt was all of my own imagining. Still it hung over me like a pall.

It was my brother’s fault that I came to be driving with this policeman. He was engaged to the policeman’s daughter and we had been down to admire the home they were busy making.

I wanted to get back for the weekend and Joe had to get back to police-work so it was obvious that we should go together.

Obvious but awkward.

Although Joe was, and still is, one of the most congenial, accessible men on earth, I knew it was going to be hellish. You see, I had never been in a car with a real live policeman before.

We bade farewell to Limerick and started out all brightness and lively chat but soon enough dusk and silence fell. The radio went on the blink.

And then it started to rain. It started to pour. I had never seen precipitation like it in my life. We both leaned really close into the windscreen wipers and willed ourselves down the road. The rain even opened a brief conversational ploy.

“It’s very heavy”, I said.

“It surely is,” said Joe.

And that was it.

The downpour became hypnotic and I was just starting to doze when I suddenly thought I saw a large green frog jump up in the headlights of the car. I jumped too.

“Are you all right?,” asked Joe.

"Fine!"

I wasn’t going to tell him I saw a big frog, no way.

Suddenly there was another one and another and another. They leapt up into the full-beams, did a little flip and were gone. I rubbed my eyes but still there seemed to be amphibians in the headlights. Were they real? I wasn't at all sure. The heavy rain was throwing up huge splashes which looked a bit like frogs too. It could all be just an optical illusion.

The silence in the car got very heavy indeed.

If I were to tell Joe I was seeing frogs, and it turned out that he wasn’t, I could find myself in some trouble. Conclusions involving substance abuse could well be drawn. I decided to hold my peace.

For an age we drove through the downpour as a constant roll-call of little green Kermits did their party piece in front of my eyes. Finally a particularly large one jumped up and winked at me. Then it was my turn to flip.

“Joe...," I said quickly, "are you seeing frogs?”

The police sergeant looked over at me, indicated left, and eased the car to a stop. He glared at me.

“Thank God,” he said, “I thought I was going mad.”

Over time I'm sure I would have learned the truth - that policemen are often regular guys just like the rest of us. The frogs just taught me it that little bit quicker.

And I’ve since found that it is a well-documented occurrence. Heavy rain fills the ditches with water and hoards of frogs get evicted up onto the road to hop around in car headlights.

It may be hard to believe but I saw it.

And, in case you don't believe me, the policeman saw it too.



(c) Ken Armstrong

The Moon After Midnight

This Thursday sees what will probably be the final performance of my newest play ‘Midnight in the Theatre of Blood’ by my great friends at Do You Playhouse at The Kiltimagh Theatre, County Mayo (8.00pm).

It’s been tremendously great fun and I’ve loved what they did with my little play.

So then, just as I’m getting ready to be depressed about the end of all that fun, I get this in my email.





This is the kind of thing that can brighten up a guy’s day.


Balally Players new production of ‘The Moon Cut Like a Sickle’ runs in the Mill Theatre Studio, Dundrum, Dublin from the 15th to the 19th April.


I’ve seen them do it in rehearsed reading and I’m looking forward like mad to seeing the full thing.


So if you’re in Dublin around that time, do come down and have a look.



As for all my Non-Ireland based buddies who drop by here from time to time. Well I know, what with carbon footprint concerns and the relatively strong position of the Euro against many other international currencies, that it might not be the easiest thing in the world for you to fly over here…

…but try eh?

My Writing Resume

Click here for my latest posts.

Although this is a writing blog, I don't talk about my own writing as much as I thought I was going to.

In case you're wondering if I've ever actually written anything, here's a list of my produced work. I'm only listing writing which has had a full production - there's loads and loads of un-produced material that will hopefully add to this list one day.




Radio Plays

Visualise

Channel 31

To Sleep

The J-Seat

Grainne’s Cut

A Place in Between

Show and Tell

Conception Pregnancy and Bert

Theatre Plays:

To Sleep

Julie’s Call

Paul’s Talent

The Moon Cut Like a Sickle

Midnight in the Theatre of Blood

Dream On

Fine 

The Doubles Partner (Claremorris Fringe Winner 2013)

Dance Night 

Conception Pregnancy and Bert

Visualise 

The Line Rehearsal 

Eight 

Deb's Night 

I Bet You Say That to All the Boys

The Colour of Red

Two for a Tenor (2021)

A Sort of Whodunnit (Coming October 2025)

Acting:

A founder member of and actor with KODE Theatre Company (2004). Three productions to date:

One for the Road

Ritual for Dolls

Impromptu

Competitions:

Twice Winner: London Radio Playwright’s Festival

Winner: Dickens Museum Anniversary Short Story Competition

Twice Winner: Mid and North West Radio Play Competition

Shortlisted: P.J. O’Connor Award (Radio)

Shortlisted: Society of Irish Playwright’s O.Z. Whitehead One Act Play Competition.

Second Place: Edith Ruddick Award – Radio Play

Shortlisted: Mid and North West Short Story Competition

Shortlisted: Irlam Fringe Festival 2014

Winner: Claremorris Fringe Theatre Festival 2013, Shortlisted: 2014, 2015, 2016

As Reviewer/Reader/Shortlister

Woolwich Young Radio Playwright’s Competition – Shortlist reader for three years.

London Radio Playwright’s Competition – shortlist reader for two years.

Currently holding several 'reader' positions but sworn to secrecy on them all.

Film

Writer in association with Claddagh Films, Kinvara, Co. Galway

Channel 31 - a short film, played Galway Film Festival 2010 (and other festivals) 

Getting In - Short film 2020, Multiple Film Festivals.

Joey Had Never Been Out of the City - Short film 2024, Multiple Film Festivals.

Novel

Finished my first one - hasn't everyone?

Now busy writing the second. I think it's going to be quite good.