An Open Letter to Cast, Crew, Arts Centre, and Audience


Our two evenings at The Linenhall Arts Centre, which culminated last night, ticked several bucket list items for me. These included, bringing The Doubles Partner back to stage with a dream cast, finally having a go at subverting a raffle, and, joy of joys, getting to see my slightly rogue ‘A Sort of Whodunnit’ play realised at last for an audience.

Both nights were wonderful for me, in slightly different ways. On Thursday I got to be what I like to be on these theatrical evenings: a man who has most of his work done, who just needs to make sure a few final bits and pieces are in place. On these occasions, and last Thursday, I tend to lap up the atmosphere and commit all the loveliness to careful memory.

Friday’s show came from a different angle. By prior agreement, I had undertaken to play a part myself in the middle ‘Raffle’ half a play. I resolved many moons ago to stay firmly on the dark side of the floodlights but needs must and the show must go on. So, Friday evening I was a sweaty little bag of nerves, trying to memorise all the blasted lines I had so blithely written. Serves me right. In fairness, it was a memorable experience, to momentarily become, once again, a part of the nervous pre-show actorly energy. And, also in fairness, it was a genuine treat to get to stand on stage with my good friend Ronan Egan, a place where he so clearly belongs and I so clearly do not.

I want to write some heart felt "Thank Yous"…

To the actors (in order of appearance on stage):

The Doubles Partner: Donna Ruane, Eamon Smith, and Vivienne Lee.

The Raffle: Ronan Egan, Katie Padden, Jim Finan, Caoimhe Halligan, and Kate Loftus.

A Sort of Whodunnit: Eithne McGreal, Matthew Largent, Brendan Mullins, and Eimear Philbin.

Each and every actor made me feel lucky and grateful for what they brought to our little party. Thank you all!

I am always shaken and amazed at the levels of time and commitment that such talented folk are willing to give to my inane scribblings. I am forever in debt for the depth, width, and breadth you bring to the black and white words on the pages.

To the people who make the shows happen:

Anne Marie Gibbons: The ever-smiling powerhouse, the Maestra of the Direct Message, the  Vixen of the Voicemail, without whom nothing good would ever happen and nothing tricky would ever get done.

George Bernard Gallagher and Barry Keavney, Technical Gurus at The Linenhall Theatre: Ever stalwart, nothing too much trouble, did everything possible to provide us with a gleamingly lovely theatre space replete with lights and sound.

Sandra Gibbons and Declan Gibbons: The hardest-working Stage Managers this side of the Shannon. Ever cool, always with a solution to any problem. You both have saved my skin several times over and I am eternally grateful.

All of the Castlebar Musical and Dramatic Society esteemed members, who came to help at front of house and with the raffle (boy, did I mess you up with the raffle!!)  :) 

The Entire Staff of The Linenhall Arts Centre, from Management through Front of House peeps: You’re doubtless fed up looking at me, coming and going, with my sound effect skirting boards tucked under my arm, looking for something else. But you never say 'no', if you can help it, and the yeses always come with a friendly smile. Who could ask for anything more from their friendly neighbourhood Arts Centre?

Castlebar Musical and Dramatic Society: For a second year running, you let me run amok in your joyous sandbox of talent and commitment. It’s an unbelievable gift to be able to display my writing through your titanic society (‘Titanic’ as in ‘large’… not as in 'hitting icebergs'). I’ve got to do all these bucket list things with you. I’ve made highly valued new friends. I’ve lived the dream, really, these last few months.

And, finally, to the audiences. Each night, you came out and paid your hard earned dosh to see us. Rest assured, your money will all go to ensure a great musical production in March ’26. It couldn’t happen without you. More than anything, though, you came with your smiles and your pleasure at being out with friends and family and, for me, that’s one of the very best things.

So thank you. Thank you all!

And now, suitably inspired, I intend to retire to my untidy room for the hopefully short Winter, to try to write something entirely brand new, and to then see if anyone might like to meet up for a small reading…

K x

18th October 2025

Bringing the Doubles Partner Back

It’s Show Week!

Eek!

We’re on, at the Linenhall, this Thursday and Friday.

Eek!

This past week has been the wonderful Wild Atlantic Words Festival here in sunny Castlebar and I’ll write more about that next week, after all the current melee has died down. But, all through this great week, people have been coming up to me and smiling and saying things like, “We’ve got our tickets,” or “We’re looking forward to Thursday/Friday night” or ‘Break a Leg” or “You’re some bollix,” though less of the latter, admittedly.

You can still grab a ticket or two if you’re in the humour for a theatre evening of smiles and surprises and maybe catching up with a few familiar faces. If other years are anything to go by, the tickets tend to run out and there’s often someone I’d love to see there who didn’t get in so, if you’re at all into it, don’t let that be you, eh?

The longer of the two plays is ‘A Sort of Whodunnit’ and I feel I’ve said all I should say about that one, prior to its first ever production on Thursday night. Suffice to say, I am buzzed about it and highly interested in how it greets the audience and how the audience, in turn, greets it.

But, having not said too much about it, to date, I also do want to confirm my overall high excitement about the first play we are doing this week.

The Doubles Partner was written as an entry for the inaugural Claremorris Fringe Festival, back in 2016. A three-hander, it feature Donna Ruane, Tara Kelly, and Eamon Smith. A stellar cast. To be able to revive it with two of the key players coming back to reprise their roles is a dream come true. Donna Ruane and Eamon Smith play a married couple in a slightly less than idyllic relationship. In the original, Tara played the eponymous doubles partner who comes to call, largely unannounced. I have collaborated with Donna and Eamon for many years and I adore them both. Eamon is a consummate actor. Donna had directed more of my plays than my characters have had hot dinners and is, herself, a wonderful award-winning actor.

To get Vivienne Lee to play the part of doubles partner is enormous for me. I’m a terrible little fanboy of Vivienne’s onstage work. At the end of every big musical she appears in, I’m up there by the stage, trying to get my word in about how bloody brilliant she was.

Having this power threesome devote their energies to my little play is a total joy and I am so delighted that it will open our theatre evening later this week.

Be there or be square.

 

Tickets for A Sort of Whodunnit and The Doubles Partner can be booked on 094 90 23733 or via this link: www.thelinenhall.com

Privileged and Scared

How do I feel?

The answer is right up there in the title. I feel privileged and scared. Sometimes one trumps the other. Sometimes the opposite one is winning out. Of course, I feel other things too. Excited, nervous, proud, amazed. It’s a time for feelings and there are plenty of those little suckers about.

But mostly… yes.

And damn right I should feel privileged. I am a local playwright, with a full time job that has nothing to do with playwrighting. Just another Joe with a laptop and a dream. But, man, what support I have. What support I get. I have Castlebar Musical and Dramatic Society on my side, that local behemoth of talent and endeavour. And I have The Linenhall Arts Centre on my side, our Castlebar community institution of all things creative, artistic, and good. As a writer, it is an utterly fantastic sandbox to be permitted to play in. CMDS provides such support and warm encouragement. Their top people schedule and organise and corral everything into place for my scribblings. Extraordinary stage managers hunt high and low for elusive props and ways to make things work. Show programmes are designed and finessed. Tickets are announced and announced again and, finger crossed, sold. And always the encouragement. The willingness of the incredible cast members to give their valuable time up for my writing. The huge commitment to the theatrical cause.

And then there’s the 'scared' part.

How could it not be scary? I remind myself constantly. It’s a play that’s never been seen before. How will it work in front of an audience? There’s sure-as-hell only one way to find out, and that’s to lash it out there and see what happens. Again, how could it not be scary?

But I’ll tell you one thing. I might be a bit scared for my writing and my directing and my whatever else. But I’m definitely not scared about the actors. When I set to work rewriting this play, in the aftermath of the joy of last year’s productions, I had four of the actors, from last year’s plays, firmly in mind for playing these roles. I rewrote for them and around them (which was interesting) and then I braced myself and went and asked them. And they all said yes. All four. Again, with the 'privileged'. And they are amazing. Amazing in their commitment to the work and in their willingness and skill in finding their way through the play. Working with them has been a joy and they don’t make me scared at all. My scary bits, such as they are, are all reserved for yours truly. The sneaking imposter feelings that we all get from time to time but which knowing doesn’t make any less potent.

But it’s all good. Very good, in fact.

I was looking at a Facebook video from John Breen and Mikel Murfi’s new production of The Quiet Man in the Dublin Theatre Festival, which I would love to see (I hope it tours). It looks incredible. At any other time, I might be somewhat jealous of the wonderful theatre endeavour, wishing I could be a part of something like that. Not this time though. This time, I have my very own thing, thanks to CMDS and The Linenhall Arts Centre. It makes me scared, yes, but that’s an integral part of the game. When they say do something that scares you, they don’t mean something that scares you a little bit. You have to just go for it.

Thanks, guys, for helping me do all this.

It’s a great, great privilege and, man, don’t I know it?


Tickets for A Sort of Whodunnit and The Doubles Partner can be booked on 094 90 23733 or via this link: www.thelinenhall.com