Showing posts with label bruce lee. Show all posts
Showing posts with label bruce lee. Show all posts

Naked Ladies of my Youth

It is fair to say that I started going to see grown-up movies far too soon for my own good.  It is also true that these movies sometimes contained a fair measure of ladies without any clothes on.

But that was not the point.  That was never the point.

The point was Bruce Lee.

‘Fist of Fury’ came to the Gaiety Cinema in Sligo and it simply had to be seen.  All of us eleven and twelve year olds simply idolised Bruce Lee.  We spent all of our time clucking like angry hens and aiming flying-sidekicks at each other’s heads.  We were obsessed.  And the oddest thing of all was that it was an entirely second-hand obsession.  None of us had ever seen any moving footage of Bruce Lee.  All we had were the posters, the rumours, and the visions of our older brothers (who had actually seen the movies) maniacally kicking the shit out of each other.


(Bruce Lee by Tony Lewis)

‘Fist of Fury’ was released in 1972 with an X (18) certificate.  I can’t have seen it then, I was nine, for Christ’s sake.  That would have been just silly.  No, I must have seen it the second or third time around.  I would have been at least eleven.  Yes, I must have been eleven when I asked my Mum if I could go with the older boys to see Bruce Lee.  Mum would have known, in a passing way, that this was some movie guy we liked a lot so she said yes.

The mechanics of getting into the over 18’s movies when you were eleven were interesting, nerve-wracking, and they worked for us on many happy occasions.  If you turned up at the ticket-window, barely able to reach up to the counter, you would be unceremoniously 'ran' so a more subtle approach was required.  It was simple, really.  You needed an older boy who would buy your ticket for you.  He wasn’t 18 either but he was old enough that people didn’t care.  While he was doing that, you, the 11 year old, would duck up the stairs to the balcony and hide in the disused cloakroom up there.  The tickets for the balcony were never checked until you entered the auditorium so you waited in the cloak room until the lights had gone down and then you went in.  The older boy presented the tickets and you slipped past.  It certainly added to the ‘frisson’ of movie-going to know that, at any given moment, you might be grabbed and chucked out.

So, in this manner, in late 1973, I got in to see Bruce Lee in Fist of Fury at the ripe old age of eleven. 

I dislike the film now.  Apart from the fight scenes it’s a bit boring and repetitive.  But those fight scenes, then… man, they were just Poetry.  An icon, previously only known via images and rumour, literally came alive on the big screen in front of me and I was instantly and irrevocably sold on the magic and thrill of Cinema for ever more.

But there was an unfortunate price to pay.

There was Nudity.

For an eleven year old trying to get in to see his hero, nudity was not a fun or a titillating thing.  It was a Problem.  As far as we were concerned, Nudity was the only reason that Bruce Lee movies were not open for all kids to enjoy.  If we had our way, all the nudey-bits would have been cut out.  They were the moments when the usher might snap awake and see that there are diddies on the screen and young boys in the auditorium, munching Milky Moos.  They were the moments you could get yourself chucked out.

So, yes, nudity at eleven, as I now recall it, was a thing to be annoyed-about and cursed.  It was the barrier between you and your heroes.  It was odd, wasn’t it?

The Bruce Lee nudity was restrained enough – a glance of a bare breast or buttock, perhaps, and then on with the Nunchucks.  The step upwards was with a well-known cult film from 1975 called ‘Death Race 2000’.  I was twelve on the night that Over 18’s puppy arrived in Sligo and I simply had to get in.  I simply had to.

This film had everything.  A super-car race to the death, a hero called ‘Frankenstein’, points gained for killing people… it was, for me, by the sound of it, the absolute perfect kid’s movie and, as I said, it had everything.

Unfortunately, it really did… have ‘everything’… if you know what I mean.

We got in.  No problem.  We didn’t even have to use the cloak room technique.  The new ticket-tearer guy was a distant cousin so, once the ticket was bought by an older kid, I had no worries for the rest of the evening.

What a great movie.  I couldn’t believe it.  (See it now and it’s a bit shitty but, come on, I was Twelve).  Mayhem, cars, heroes, villains.  Then, at a moment of peak happiness, there occurred a scene in a massage room where everyone was laid down on benches, getting massaged… and then they all got up… and here was something new to me… here was Full Frontal Nudity in all its glory.

How did I react?  Was my youthful libido released and did I then venture outward into a world of physical love and adult relationships?

Did I hell!

I had only one thought in my head.  “If Mum or Dad catches me in here, I am Feckin’ Dead.”

It spoiled the movie for me.  Nudity was yet again the problem and not any kind of solution… and if there is a pun there then, yes, it was intended.

I didn’t get caught for ‘Death Race 2000’ but we were certainly living dangerously with our Over 18’s Movie Activities and at some point there had to be Retribution.

It came in 1976 (I was now Thirteen and a Veteran of all kinds of unsuitable flicks) with a film called ‘Death Weekend’ (Alternative Title, ‘The House by the Lake’.).  We went to see it.  It was a violent film and is still, to this day, something of a benchmark in nastiness and exploitation.  When I got home, my parents were waiting for me. 

“What cinema were you at tonight?”

We had two in the town, the Savoy was showing ‘Lady and the Tramp’.  I had a moment where a lie might have let me go free but I’ve always been one for cutting my losses. 

“The Gaiety, I was at The Gaiety.”

Our mistake had been basic.  We had neglected to read the huge lettering above the cinema entrance promoting the film we had seen.  It boldly stated,  “They raped her one-by-one, she killed them one-by-one.”  An unusual evening-walk past the Cinema gates by my parents had done for me.

That curtailed my movie-going for a time but not really for too long.

By 1978, we were fifteen, and we could pretty much step up and buy tickets for anything we wanted so the ‘Cinema-Assault’ party was effectively over.  Then a film came out called ‘The Stud’ (yes, you remember
it ).  It arrived in Sligo blaring the fact that is was a ‘sexy-time show’ and that only over 18’s would be allowed in to see it.  Thus challenged, we went and we got in, no bother.  Interestingly though (and this is true) while sitting in my seat, along with my pals, waiting for the curtains to open, I decided I didn’t really want to see a crap ‘sexy-time show’ so I got up and went home.

Go figure that one.

Perhaps our movie-going sounds awful now but it wasn’t such a bad thing.  As young teens, we never wanted to sneak into films which were ‘Adult’ first and foremost, we only craved the fighting, the monsters, the cars.  I don’t feel I was ever damaged by anything I saw on my teen excursions into grownup cinema, although I suppose it’s possible that more-impressionable kids might have been.  I certainly wouldn’t swap any of my experiences as I believe they coloured-in the love affair that I carry on with The Movies to this very day.

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Here’s a Couple of Footnotes:  There was only one film I failed to get into upon its release and that was ‘One Flew Over the Cuckoo’s Nest’. For some reason that was heavily clamped down upon.  It is one of my favourite films.

I didn’t try to get into ‘The Exorcist’ upon its release and I am pretty sure I would not have been allowed in. 

And, finally, in 1975, I was challenged when buying a ticket to a film called ‘Hennessy’.  It carried an over 12’s certificate and, ironically-enough, I was 12 at the time.

They eventually let me in.



Reminded of Censorship

This week, I’ve been thinking back to how it used to be when we went to the movies back in the Seventies.  In particular, I’ve been remembering how films used to get ‘cut’ by the censor and how odd it was to watch a film then and watch all those cuts play out brutally on the screen.

Of course movies are still cut for cinema and edited-for-TV and censored these days but it’s not like it used to be.  


Nowadays, we are allowed to see so much more, so there’s so much less cutting required, and also the technology for cutting is much more sophisticated.  These days, it is very hard to notice what cuts there are.

Not so, back in my day.  I don’t know exactly how movie cuts were made but it seemed like it was done with a huge blunt scissors on the actual film roll.  Often, while watching the film, some terrible event would be signalled and built-up-to and then, suddenly, the whole movie would have a big lump taken out of it and we, the audience, would be shoved on to the next scene, wondering what the hell had just happened.

This was by no means an Irish-Only phenomenon.  Although we have quite a little reputation for being heavy handed with banning movies, (both ‘Life of Brian’ and ‘From Dusk Til Dawn’ spring to mind) Great Britain was a real star for cutting stuff as well, back in the day.  I remember reading a British review of ‘Flesh for Frankenstein’ where the reviewer said he spent a considerable amount of time staring at a blank screen where dubious scenes from the film had been ripped away.  Interestingly, he also remarked that his imagination was probably much worse than those images which had been removed.

This is certainly true of me.  I could dream up all kinds of awful stuff in place of the stuff which the Film Censor had decided I shouldn’t see.  He would have been doing me a favour just showing me the actual scene, it might have spared me a few nightmares.

For me, the most memorable ‘cut films’ of that era were the Bruce Lee ones.  As young teens, we loved Bruce Lee with a passion that knew no bounds.  The movies were way too old for us to get in to see so we sneaked in to see them.  In ‘Enter The Dragon’ Bruce fights the Evil O’Hara who was responsible for the death of his sister.  Disappointingly-enough, Bruce is seen to dispatch O’Hara with a simple enough side-kick which sends him crashing into the spectators.  He is pronounced dead straight afterward.  That is the film we saw in the Cinema.

But it was ‘cut-to-bits’, as we used to say.  In the uncut version, O’Hara recovers from the sidekick and attacks again, brandishing two broken bottles.  Bruce sorts him out and lands, feet first, on his head with a skull-crunching coup-de-grace.  We get to enjoy Bruce’s slow-mo expression as he Riverdances the life out of this, his more-hated of opponents.

Which brings me to the final point of this ramble – the sincere joy of finally seeing a missing scene, years after it was first cut.  Such was the case with the above scene, where, one night on TV, the missing action magically reappeared, forgiven, and all was revealed.  It was a genuinely exciting moment for me, which is a bit sad, I know.

All of this pondering on censorship cuts was brought on by watching ‘From Russia With Love’ on ITV yesterday afternoon.  After all the hype and fashion has died down, this film has now settled itself into being my favourite of all the Bond movies.  There is no ‘save the world’ mission here, rather just a rather lewd and tawdry attempt to steal a decoding machine.  At times, it’s all so very lowlife that the bad guys almost start to come across as being the good guys.

The point is, ‘From Russia With Love’ was quite brutally cut upon its release and some of the keys cuts have never been restored.  So, these days, not only is it a grand entertaining period spy movie, it’s also a perfect example of heavy-handed censoring which has never been put right. 

There are cuts throughout.  Watch the final showdown between Klebb and Bond – what happens to Tanya?  We don’t get to see.  I imagine Klebb went at her with a four-blade-chainsaw, but that’s just me getting carried away again.

Watch the final scene, with Bond and Tanya on the boat.  Witness one of the most crude and jarring cuts in motion picture history, when Bond examines the film reel, and wonder what he could possible have said to warrant such a cruel edit.  

In fact, he simply said the words, ‘What a Performance’.

Although it seems we’ll never now get to hear him do it.