It’s a fabulous summer
over here and, although it’s not exactly passing me by, I’m not out in it very
much either.
Work requires that I keep my head down and not take random days off to hit
the beach or even seize very many spare hours to bask in the sun.
This absence from the
Summer seems to make me more intent on noticing it and marking it in some small
way before it shuffles off again, as it soon must.
That makes the few
minutes I get to spend out in it each day seem more intense, or ‘sensual’ if you will.
Not in a ‘sexy-time’ way. Just in an increased use of the senses to gather in
as much of the season as I can.
Here’s two things I
noticed this week, in my attempt to make the summer my own, despite being
largely absent from it.
One of the local fish
and chips shops have put a sign outside their establishment, to entice the
summer folk inside. It’s one of those free-standing board signs. You know the
ones. They sort of block the pavement. Yes, one of those.
This one declared that
freshly cooked cod is available inside and invites the passer-by to come in and partake of some forthwith. All very well. But here’s what chilled me, in my short-duration and thus heightened sensory quest for summer moments. As well as telling about the lovely cod that
can be had inside, the board also boasts a brightly coloured cartoon rendition of the
cook who will prepare this lovely meal for you. He is smiling and upstanding and
golden-hued and he sports one of those tall chef’s hat. He has a spatula in hand and
is obviously ready and able to prepare some fish to your most exact specification.
So what, Ken? So what?
Well, here’s what.
He is a fish. This
cheery and willing chef with the hat and the spatula is, himself, a codfish.
In a less bright and
jolly season, this might have passed me by. I may well have written it off as just
another symptom of the general malaise of a winter-ridden world. But, in the
bright happy sunshine, that doesn’t work. As my eye seeks out some intimate
detail on which I can base my summer 2018 memories, this fish-cooking fish is a
highly disturbing anomaly.
I find myself thinking
about him. What does he dream of as he cheerfully hauls the bodies of his brothers
from the cold cabinet and submerges their corpses in the boiling hot oil? How
does he get to sleep at night? The next body he cheerfully deep-fries could be his cousin.
It could be his sister.
And he is so cheery in
his work. Does he not know that there could be a shortage of fresh brethren to
cook, some busy day, and that he could himself end up in the oil, bubbling and mutely
screaming his final awareness of his crimes and his far-too-late repentance.
This is one side effect
of trying to find summer in too short a space of time. Stuff assails you. It’s better if you can
find a little time to do it. Better things come to you.
The other evening, I
was sitting in a chair in the living room. There was some recorded Wimbledon
action on the telly but I wasn’t watching it. I was looking out the window. It
was fairly late in the evening but there was still some light in the sky. It stays
bright late here, in the wild west of Ireland.
It was a lovely vista,
out of my window. The sky was a deepening blue colour that I wish I had a fancy
name for. I could see the top of the fir trees off in the distance and the…
blue sky above them, all bright and summery and nice. For some reason, it reminded
me of ET, when he was out in the woodland, building his phone-home thingie. I
can’t say why, it just did.
As I admired the sky,
a planet appeared in it. Over on the left of my field of vision, low in the
sky, just above the trees. It was bright and very well defined. It was quite
red so I think it was Mars but I can’t be sure. The appearance of this
planet added enormous value to my view of the trees and the sky so I just sat
and watched and watched as the tennis played on, ignored, in my peripheral vision.
And, as I watched, the
planet moved.
There was only a limited
opportunity to see it, as it sailed left to right across
my… blue sky before it became blocked by some taller firs on the right. I watched
it all the way. It took about fifteen minutes, all in all, and then it was
gone.
I never actually saw it move,
of course, it just did. Unseeable but unstoppable too.
A little like time. A little like our lives.
So that’s my Summer so
far. A lot of work, one evil codfish, and a slow slow planet in my sky. Not too bad. I’ve known worse.
I'll keep you posted.
1 comment:
Your story about the fish reminded me—how could it not?—of The Dish of the Day. (I can’t imagine you never watched the TV version of The Hitchhiker’s Guide to the Galaxy but just in case here’s a link.) It’s a perfect example of what I love about humour, how serious it can be. In the just the same way lies can communicate so much truth. And, of course, that made me think about Kazuo Ishiguro ‘s novel (or, more specifically, the film adaptation), Never Let Me Go which is a work of fiction ergo a book of lies. Imagine being brought up knowing bits of you are going to be surgically and unnecessarily removed so someone else can live that we bit longer. Which made me think about Soylent Green. I’ve always been big on utility. We waste so much, even ourselves. I wonder how many acres of the planet graveyards occupy? Someone online estimated it was 0.03% which doesn’t sound much until you do your sums and that comes to about 7500m² which is almost the size of Wales would you believe? Wouldn’t it be nice to have a spare country lying around? It would certainly solve our refugee problem for a while at least. Until, as you say, everything moves on. Because nothing stays still and what right do we have to expect it to?
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