Showing posts with label murder. Show all posts
Showing posts with label murder. Show all posts

A Twitter Murder Mystery

“So, tell it to me again. He was on ‘Twatter’ when he was murdered?”

“Twitter, sir, it’s a social networking site.”

I looked around the room admiringly. The guy was obviously a bit of a movie buff, judging by the original posters he had framed on the walls. Good seventies stuff, all very neatly done. In contrast, the study desk was all a bit of a bloody mess.  The keyboard was glued now with thick black blood and the screen was spattered with tiny bulbous droplets of the stuff. Some of them had run down a little before the heat of the screen had boiled them solid.  Not many though.

I peered through the droplets at the web page on display.

“Was that his name?  Armstrong?”

“Yes Inspector-“

“’Chief Inspector’, if you don’t mind.”

“Sorry sir, ‘Chief Inspector’, congratulations sir.”

“His name, son, you can bake me the cake later.” I enjoy being a bastard at murder scenes. It helps keep the minions focused.

“Sorry sir. Yes ‘Armstrong’ sir, ‘Ken Armstrong’.”

“But not ‘KenArmstrong1’?

“No sir, that was his twitter name sir.”

“You seem to know a lot about this twat thing.”

“I tweet a little myself sir.”

“You what?”

“Tweet sir.”

Bloody hell!

I looked young Nash square in the eye. Never look in two eyes, concentrate on just one. That’s the secret to winning a staring match.

“Moving on,” I said, “Cause of death?”

Nash looked at me as if I was mad. There was perhaps hope for the lad yet. I was yanking his chain and he knew it. The hilt of a bloody-great dagger was sticking out of Armstrong’s throat, there wasn’t much question about what it had done…

I shook myself. I’d been staring and thinking about that knife and how it might have felt going into my own carotid artery and that wasn’t the way forward.

“Who have you got in the other room?” I asked Nash.

“Three men. There was a poker game. They took a break apparently, Armstrong came in here for a tweet, one went to the toilet, one went into the garden for a ciggie and one stayed in the room.”

“And you think one of them killed him.”  I said.

“Why, yes sir, I do.”

“Which one?”

“I’m afraid I don’t know sir.”

I sighed again. TV detective programmes were a curse on many levels. Not least because practically every second young cop now thought every domestic was a clue-ridden mystery to be pondered. In fact, usually they were just a bloody mess with a whimpering fool sitting on the periphery, waiting to cough it all up.

“Who are they, these three?”

“As far as I can gather they’re an old school friend, his doctor and his brother-in-law. The in-law is a pain, says he works nights and has to phone in, we’re keeping him from that at the moment.”

“Why?”  I asked.

The question seemed to confuse poor Nash.

“Well, it’s a classic locked door thing, sir. One of them did it, there was nobody else. Plus there’s something else.”  Nash looked embarrassed.

“What something else?”

Nash squirmed.

“Spit it out lad, what else is there?”

“A ‘clue’ sir.” Nash said it as if it were rather a dirty thing.

“What bloody clue?”

Nash showed me the screen.

“It’s like I said, sir, he was tweeting when he died. His watch hit the desk and broke, the time stopped at 12.20 am.  Look at the tweet on the screen, it was sent at 12.20 am too. The killer must have been in the room when he sent it.”

I walked over to Nash. I was a good foot shorter than him but that hardly mattered.

“You think he twatted us a clue from the grave, don’t you?”

“Well, yes sir, I’m afraid I rather do.”

I was about to berate him for the penny-dreadful-consuming fool that he undoubtedly was when I stopped. Maybe, just maybe, he was right. There hadn’t been a real ‘clue’ case since the ‘Smirnoff Affair’ and that was a few years back. Maybe I was due another. I leaned in and read Armstrong’s Last Tweet.


“Okay,”  I leaned back, “what does it mean?”

“Buggered if I know sir,” said Nash, who then blushed furiously, “Sorry sir.”

In fairness, it did at least seem possible that Armstrong had looked up from his desk and seen someone come in with a whopping great knife in his hand. He might have had a moment to twat off a message with a clue in it.

“But why wouldn’t he just twat the name or the initial or something,” I asked, “ why type ‘Top Left’?”

“Because if he wrote the name, the killer could have seen it and deleted it. He had to be obtuse.”

“Obtuse, Nash?  What are you reading?”

“Morse, sir.”

“Bloody thought so.”

I looked at the twat thing again… harder. Forensics will catch this killer, or he’ll cave under a moderate Q and A, we didn’t have to do this Sherlock Holmes shit on it…

But it was fun and when it worked, it was bloody awesome.

Nash piped up.  “Maybe it’s an anagram”, he said.

But it wasn’t a bloody anagram. There was no time for bloody anagrams, not with a killer bearing down on you with a massive bloody knife.

I looked again.  Top Left.  Top Left of what? There was nothing to be Top Left’ of…

Except there was, wasn’t there? This twit twat thing wasn’t just a few words, it was a picture too. And we all know what a picture can be worth.

I looked at the computer, then at the wall, then at the computer again.  I shouldn't have been touching anything, I know. I clicked on the picture and it got bigger. The picture was clearer now.


I tried to keep my voice level.

“On every street,” I quoted, “in every city, there’s a nobody who dreams of being a somebody.”

Nash looked nervous. “I don’t understand you sir.” He said.

“Never mind,” I clapped my hands together, “Let’s see the suspects, Nash, one by one, just like your bloody Morse would.”

“What order do you want to see them in?” asked Nash.

“That brother-in-law, the one who works nights, what did you say he does for a living?” I asked, nonchalantly, holding my breath.

“I didn’t say, sir, but I believe he’s a Taxi Driver.”

I let my breath out, smiled.

“Then let’s see him first,” I said.

The Visibility - Script Extract

Thanks for all your nice feedback on a story I posted last year. Rachel Fox mentioned in her comment that it might make a good TV Play. Funnily enough, I have spent some time working it up as a short film script.

So I thought it might be fun to also show you just a few pages of that.

Some of the original script-formatting has been lost on the way to the blog-page.

Oh, can I also just warn you that there is quite a bit of strong language in this extract. So if that sort of thing bugs you, perhaps you might call back next time.

I promise I'll be better behaved then.




FADE IN:

Int--night--driving in a car.


The windscreen wipers are going fast. Lots of rain is coming down.

The headlights are on full beam but still they hardly put a dent in the gloomy road unfolding before the car.

Maurice (V.O. Darkness)
I knew I had to kill him. I just didn't know how...


Int--day--The Confessional


It is dark.

A panel slides back revealing the dimly-lit silhouette of the priest in the next booth.

Priest
Yes?

Maurice
Bless me father, I have sinned.

Priest
Yes?

Maurice
It is twenty-seven years since my last confession.

An awkward silence.

Priest
Yes?

Maurice
I've forgotten the 'Act of Contrition', father.

Priest
I'm sure we'll find a way around that, Maurice.

Maurice
You know who I am.

Priest
It's only a bit of chicken-wire that's between us.

Maurice
And the seal of confession.

Priest
That too. Tell God your sins.

Maurice struggles inwardly.

Maurice
I killed a man.

Priest
Now Maurice, we all know that was an accident...

Maurice
Are you my priest or my fuckin' judge?

Priest
Carry on so.

Maurice
He was my neighbour. I knew I had to kill him. I just didn't know how.

Ext--day--A pasture--running down to a river

A beautiful summer's day. The grass is long and the fast-flowing river looks cool and inviting.

Maurice (v.o.)
I had all the land I needed, except for the river pasture.

Int-- evening --the pub

CLOSE UP of a tattered old Ordnance Survey map being slammed onto the beer-soaked bar counter.

Maurice (o.s.)
One Two five. Final word.

LUDLOW looks up from his pint and into Maurice's eyes.

Ludlow
Sure it's not worth half that.

Maurice
Still and all. It's a one time offer. Take it or leave it.

Ludlow sups his pint.

Ludlow
I'll leave it so.

The bar echoes with quiet laughter. All the customers have been listening.

Maurice
Why won't you sell? You don't use it for anything.

Ludlow drapes a comradely arm around Maurice's shoulder.

Ludlow
I'm an old man, Maurice, I've few pleasures left to me.

He leans in conspiratorially.

Ludlow (cont'd)
Watching you fuckin' squirmin' is one of them.

Maurice gets up storms off to the toilet. A young man, MILES, leaves the table of guys he was drinking with and follows Maurice out.

Int--evening --the toilet

MAURICE is having a piss against the stainless steel urinal.

MILES comes and stands beside him. He unzips.

Miles
He's an old prick.

Maurice
He is.

Miles
He coughs and chokes all night these nights.

Maurice
Does he?

Miles
When he dies, I'll sell it to you.

Maurice
Will you?

Miles
I will. For the price you mentioned.

Maurice
Right. Good man.

Miles
It'll have to be index linked though.

Maurice
What?

Miles
The price, index linked, yeah?

Maurice
What's that?

Miles
I don't know.

Maurice
Index linked it'll be so.

He extends a hand. Miles eyes it warily.

Miles
Maybe we'll have a bit of a wash first.

Int--day--the doctor's surgery

MAURICE has his shirt up around his neck while McQUAID, the doctor, listens to his chest.

McQuaid
Smoke?

Maurice
Yeah.

McQuaid
Drink?

Maurice
Yeah.

McQuaid
How many units?

Maurice
Seven pints or so.

McQuaid
A week?

Maurice looks at him as if he is mad.

McQuaid
Christ.

He motions for Maurice to dress himself.

McQuaid
You're as well as you can hope for.

Maurice turns his back while tucking in his trousers.

Maurice
Better than old Ludlow so.

McQuaid
Who?

Maurice
Ludlow. I heard he was bad.

McQuaid shakes his head.

McQuaid
The man's an ox. He'll bury us all.


(c) Ken Armstrong