I’m going through a phase.
“So what?” you might well ask, “Everybody is always going through a
phase, what’s so special about your one?”
Nothing, obviously, absolutely nothing at all. Except that this is my
space for writing in so I get to write about my phases. Get your own space and
talk about you own damn phases there.
Sorry, sorry. That was a bit rude. It’s just another part of the phase I’m
going through.
So what it this phase, Ken? Why don’t you tell us all about it?
You’re still here? I thought you’d have buggered off after I snapped at you. Well, okay, if you insist.
I’m going through a phase of thinking that every writing thing I’m
currently doing, including every writing thing I’m proposing to do in the near
future, is a load of old shit. That includes this blog post. Which is no surprise,
seeing as how this blog post is a load of old shit. Or is it? Is this just
another part of the phase I’m going through?
Oh dear, this is going to get messy, isn’t it?
Oh, and before I go on, this is not a cry for help. Deep down, I know I’m
fucking brilliant and I don’t need you to tell me that. So don’t. It’s just
that, on that superficial level where phases tend to reside, I just reckon my
writing has gone to fuck, gone to shit, gone to all the swear words.
But, don’t worry, it’s just a…
Thinking about it, it's possibly the only tangible downside of being loose
online pals with lots and lots of really great writers. The fact that I get to watch
them write great stuff and innovate and battle and be incredibly productive and
succeed. Basically, I get to see them get their shit done. It makes me feel a bit
silly sometimes. It makes me feel like I haven’t done as much as I should have
done and that what little I have managed to do should have been done a
damn sight better.
Allow me to make some excuses for myself.
Many, not all but many, of my loose online writer acquaintances are professional
writers. They get to give their full energy to the task. I am not a
professional writer, never have been. although I do always try to write with
all the professionalism I can possibly muster. I have to squeeze my writing
into late night hours and borrowed weekend sessions while the body of the week is
taken up with all that other stuff I do. The stuff I don’t talk about on here.
My real life.
Time and quality are inextricably linked, in my mind anyway. In order to
produce something substantial and coherent and valuable, it helps enormously to
have a continual period of time in which to dedicate your heart and mind to it.
I can never find that. When I retire, in about 15 years’ time, I hope to do so,
if circumstances spare me that long.
That’s my excuse.
I know how it sounds. It’s the eternal refrain, isn’t it? The excuse of all
the would-be writers all over the world. “I would be great, if I could only
find the time.” Let’s all face the truth together. The great ones found the
time. It doesn’t matter how they did it, they did it. They got that shit done.
And, again with the excuses, I really have managed to get some shit done
over the years. Twenty-Eight produced plays for theatre and radio, many of them long-form, some of them
produced many times over. A short film that got made, a pile of long and short scripts
that didn’t. A novel that didn’t get published (‘wasn’t good enough, ‘will
never self-publish… that’s a blog for another day). And then there’s this blog,
eleven years’ worth of it, every week. Over half a million words, some of them almost
passable (that might be the Phase talking). So I think I have earned some licence to bitch
a little about the lack of continuity available to me for my writing.
Short form stuff works well. Long form stuff is harder. You can write anything in tiny bursts like the ones I get to work in but I certainly find it way harder to corral the tiny bursts
into something really substantial.
Something that would be ‘A Product’.
If I’ve learned one thing from watching my loose online writer pals it is this: You need to have a product to sell. A book, a play, a movie script.
Some product. You can be the best writer in the world. You can have a vast Twitter
following and you can convince the world that you will be the next best thing
after the current best thing. But it don’t mean a thing if you ain’t got that
thing… The Product.
For all my plays and short stories and failed novel, I don’t really have
The Product. I have lots and lots of stuff but it’s all either one thing or another.
Too short, too old, too weird. I don’t have a single long form product that’s worth
flogging far and wide and finding somebody to take it on. I don’t have that embryonic
West End hit, that potentially wonderful film script, that biddable novel
draft. In the case of one of my full-length teenage plays, a very famous
playwright told me, “You have a hit there” and, in fairness, it has seen quite a
few productions and done well for me. But it’s still not a full three act theatre
play in the old sense. It’s a modern ‘hour in the theatre’ type of deal and that
is fine in itself but is never going to rock the world.
Longer form work, that’s where the continuous time is needed. Smaller
things can be done, inch by inch, hour by hour, midnight by midnight. But the
long form masterpiece needs a locked room, isolation and a considerable headlong
run at it.
At least I currently think it does. It could be this phase I’m going
through.
This will pass. All things pass. I will force myself to bang on with the long form stuff
I continue to thrash out, night by night. I will love it all again and see some
vague potential in it, enough to keep on keeping on.
Just probably not today.
Possibly tomorrow.
We'll see.
4 comments:
Thank you...I was having an all too human, "what the hell am I suppose to be doing?!" moment myself. Now I don't feel all alone.
Intellectually, I know no one is perfect I realize my goal should be to just keep trying to be better than yesterday. Realistically...some days, that's just hard for my wounded ego to embrace. Probably why I've been known to mutter to myself, "It'll be all right. Keep moving. It'll be all right."
I'm still optimistic enough to believe that tomorrow, I might just get it right. :) Have a great week, my friend!
Thank you, Hope. Where there's life, there's you. :) x
Ken, have you ever written for a publication, like a newspaper or magazine?
Ah, THAT phase! Yeah, been there, done that, know EXACTLY where you're coming from. I also, for all the years I've been at it, don't have The Product and don't expect ever TO have The Product. Not now my brain's given up on me. Best I can manage at the moment is two or three minutes of music that usually takes about twenty-three goes to get through once without any major mistakes. When I was fourteen or fifteen I used to dream of a symphony or concerto with my name and Opus something-or-other at the end. But I never had it in me. The music was always going to be a hobby which is why I suppose I lost interest because I still hankered after acknowledgement. Clearly my music wasn't going to get that for me (and the less said about my art the better) but I did seem to have a way with words. Damn shame I could only churn out a poem every couple of months but at least I was getting published. Only I wasn't getting published where I would've liked to get published.
You remember Patrick Moore, the original presenter of The Sky at Night? Did you know he was a composer? Three operettas to his name amongst seventy-odd other pieces. One can only wonder if he hadn't been Patrick Moore off the telly if any of them would ever have been performed.
Beckett never wrote a three act play. Two was his limit. And what about Pinter? Say what you have to say and when you've said it put your pen down. There's not a lot you can say in two hours you couldn't say in fifteen minutes. Who remembers Auden's plays nowadays? No, his Product turned out to be sixteen lines long and I doubt many people could remember more than the first four.
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